Tesoro High School Instrumental Music Department

AP Music Theory

 

                                                                          

 

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  Tesoro High School

   1 Tesoro Creek Road

   Las Flores, CA  92688

 

   (949) 234.5310 phone

   (949) 766.3370 fax

 

   Music Directors:

   Cathy Olinger

   Andy Magana

 

   Booster President:

   Alicia Wojaczynski

 

   Principal:

   Dr. Daniel Burch

 

 

 

Advanced Placement Music Theory

Andy Magana, Instructor

 

 

Course Description:

The Advanced Placement (AP) Music Theory course enables highly motivated students to do college level work in the areas of reading and analyzing notated music and aural training. Particular emphasis will be placed upon developing listening skills, sight singing ability and knowledge of rhythm, melody, harmony, form and other compositional devices. The successful student will be endowed with the skills necessary to function intelligently in any musical situation. The work of the course will emphasize preparation for the advanced placement music theory examination.

Course Objectives:

The ultimate goal of the Advanced Placement Music Theory course is to develop a student’s ability to recognize, understand, and describe the basic materials and processes of music that are heard or presented in a score. The achievement of this goal may be best promoted by integrated approaches to the student’s development of:

 

·         Aural skills – through listening exercises

·         Sight-singing skills – through performance exercises

·         Written skills – through written exercises

·         Compositional skills – through creative exercises

·         Analytical skills – through analytical exercises

The AP Music Theory Exam

This course is designed to prepare you for the AP Music Theory Exam in May 2007. Taking the AP test is not required, although it is recommended.

The AP Examination in Music Theory tests the student's understanding of musical structure and compositional procedures through recorded and notated examples. Strong emphasis is given to listening skills, particularly those involving recognition and comprehension of melodic and rhythmic patterns, harmonic functions, small forms, and compositional techniques. Most of the musical examples are taken from standard repertoire, although some examples of contemporary, jazz, or vernacular music, or music beyond the Western tradition are included for testing basic concepts. The examination assumes fluency in reading musical notation and a strong grounding in music fundamentals, terminology, and analysis.

The AP Music Theory Exam is about two and a half hours long and consists of two sections. Section I consists of 75 multiple-choice questions, some of which are based on aural stimulus. Section II consists of written free-response questions and sight-singing exercises.

GRADING

PARTICIPATION 10% -active participation, punctuality and attentiveness, being prepared for class.
TESTS/QUIZZES 50% -announced/unannounced quizzes, written/performance exams
ASSIGNMENTS 40% - class work, homework, projects, papers

Many of our in-class assignments and homework will be drill and practice types of assignments offered to help you master new skills. These will be graded on a pass/fail type of point system. Other assignments and tests will be standard assessment style assignments  given to measure your level of mastery. These will be graded using a letter grade on a standard percentage point scale.

LATE WORK —Projects and papers will be accepted late but will be docked 10% for the first day and 50% after that.

MAKE-UP WORK - It is YOUR responsibility to find out what you missed when you were absent.  Homework is due 2 classes after the date of absence.  All exams missed due to excused absences must be made up within a week of the date of the absence. Written portions of exams will be administered during tutorials of after school on Tuesdays. Portions of the test requiring performance or listening will be administered by appointment tutorial or after school. 

MATERIALS NEEDED

NOTEBOOK & PENCILS – Each student should have a pencil and eraser as well as a three-ringed binder to organize class materials. PAD OF MANUSCRIPT PAPER, 8 or 10 staves per page.

TEXTS - The texts that will be used during the course of this year may include, but are not limited to:

·         Music in Theory and Practice Volume 1, Sixth Edition by Benward and White

·         Music in Theory and Practice, Volume 1 Workbook by Benward and White

·         Harmonic Materials in Tonal Music by Greg A Steinke

·         Music for Sight Singing by Robert Ottman

·         Lies my Music Teacher Told Me by Gerald Eskelin  (SUPPLEMENTAL READING)

 

SOFTWARE

 

·      Finale, Finale Notepad, or PrintMusic notation software.  You can download a free version of Finale Notepad at www.makemusic.com.  Many of our assignments will require that you use a notation program.

 

CLASS WEBSITE

 

The THS Instrumental Music Department website will have a page dedicated to the AP Music Theory class with assignments, schedules, examples and links. The site is found at www.tesoroinstrumentalmusic.org

 

 

AP Music Theory - Course Syllabus

September
Introduction: Physics of Sound: Overtone series, Properties of Sound, Vibration Elements of Music:  Melody, Timbre, Meter, Harmony, Texture, Rhythm
Chapter One:  Rhythm and Pitch:  Meter, basic notation, clefs, accidentals, enharmonic equivalents, grand staff, writing music manuscript
Chapter Two:  Scales and Modes:  Major, minor, other, relative keys, parallel keys, tonality, circle of 5ths
Chapter Three:  Intervals and inversions
Ear Training:  Melodic and harmonic intervals, rhythm patterns

October
Chapter Four:  Harmony, chord spelling, triads and inversions, roman numerals, scale degree names, figured bass, analysis symbols, seventh chord symbols
Chapter Five:  Cadence types, non-harmonic tones
Ear Training:  Chords and Chord Inversions
Sight singing:  Introduction to melody and chords 

 

November
Chapter 8:  Voice Leading in Two Voices, Species Counterpoint
Chapter 7:  Texture and texture types

Chapter 6:  Melodic Organization:  Motive, Sequence, Phrase, Period, Melodic Structure
Ear Training:  Cadences, Simple progressions
Sight singing:  Simple chord progressions, more complex or longer melodies including skips and more advanced rhythms by group and individually

AP Practice Test #1

December
Chapter 9:  Voice leading rules, soprano/bass lines, four-part texture, doubling, parallelism, 6/4 chords, common chord progressions, harmonic analysis
Chapter 10:  Harmonic progressions, root relationships, descending 5th relationships, harmonization of melody
Ear Training:  Cadences, simple progressions
Sight singing:  Simple chord progressions, more complex or longer melodies including skips and more advanced rhythms by group and individually

January
Chapters 11 - 13:  Seventh chords and resolutions
Ear Training:  More Melodic dictation and chord progressions
Sight singing:  More melodies including minor
Exam review and AP Practice Test #2

End of January, February
Chapter 14:  Modulation, pivot chords, other types of modulation
Chapter 15:  Secondary Dominants, secondary leading tone chords
Ear Training:  Melodic and harmonic dictation
Sight singing:  Individual and group

March/April
Chapter 16:  Binary form
Chapter 17:  Ternary Form
Ear Training:  Dictation from previous AP exams
Sight singing:  From previous AP exams

May/June

Review for AP Exam
Practice AP Exam #2

AP Music Theory Exam on May 12th, 2008
Composition & Arranging Project/Final Exam - Students choose to either compose or arrange a work for piano, vocal, string or wind ensemble. Students may choose from a wide range of musical styles and genres.

 

Project Due Dates

Lead sheet, rough sketch due May 22nd

Draft 1 due June 2nd

Draft 2 due June 9th

Final draft and midi/wav/mp3 file due June 16

Final class meeting and Student Project Showcase

 

CLASSROOM RULES

FOOD - No food or drink in the classroom, with the exception of bottled water.

TARDINESS - Be on time and ready to learn when the bell rings. Tardiness will result in loss of participation points, resulting in a lowered grade.

RESPECT – Respect the teacher, your peers, and others’ property.

 

CLASSROOM PROCEDURES

PERSONAL NEEDS - Take care of all personal needs before class. Students will be allowed restroom privileges with permission from the teacher and use of the hall pass.

BEGINNING OF CLASS – Come into the classroom on time, in a civil manner and ready to learn.

END OF CLASS – Class is dismissed when the teacher, not the bell, dismisses you.

EXTRA HELP - I am available most tutorials for extra help. Please make an appointment with me first. You can find me in my office in the band room.

 

Tesoro HS Academic Integrity Statement

Quizzes, tests, and exams are to be the sole work of the individual, with no written, verbal, or other aid, whether planned or accidental. In no case will students be allowed to have in their possession, on their person, or in their immediate and visible vicinity any item or material with information pertinent to any test, quiz, or similar activity without the direct permission of the teacher of the course. Students should meticulously plan to avoid any such instance, knowing that should such occur, it is a major violation of school policy and will be treated as seriously as cheating.

Homework provides a good opportunity to discuss work with a classmate. Working together is permitted only with the approval of the teacher, and all work submitted must be the student's own. Copying is considered to be a violation of the standards of academic honesty. Of course, the primary source of extra help should be the classroom teacher.

Students are required to sign the Honor Code at the beginning of the year. Furthermore, students are required to pledge their honor at the end of every graded assignment to underscore their understanding of the Honor Code.

 

 

 

 

   

This site was last updated 07/08/08